Oil On Canvas, Real Flavor of Old Masters

All Jusepe de Ribera 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
34266  
Allegory of History, Jusepe de Ribera
  		 Allegory of History   mk91 Oil on canvas 113x81
51137  
An Old Money-Lender, Jusepe de Ribera
  		 An Old Money-Lender   1638 Oil on canvas, 76 x 62 cm
32908  
Apollo and Marsyas, Jusepe de Ribera
  		 Apollo and Marsyas   mk84 1637.Brussels canvas 202x255cm
51273  
Apollo and Marsyas, Jusepe de Ribera
  		 Apollo and Marsyas   1637 Oil on canvas, 182 x 232 cm
51128  
Apollo Flaying Marsyas, Jusepe de Ribera
  		 Apollo Flaying Marsyas   1637 Oil on canvas, 202 x 255 cm
33627  
Archimedes, Jusepe de Ribera
  		 Archimedes   mk86 1630 Oil on canvas 125x81cm Madrid,Museo del Prado
21617  
Archimedes (mk08), Jusepe de Ribera
  		 Archimedes (mk08)   1630 Oil on canvas 125x81cm Madrid,Museo del Pardo
95709  
Bende Magdalena Magdalena penitente, Jusepe de Ribera
  		 Bende Magdalena Magdalena penitente   oil on canvas Dimensions 97 x 66 cm (38.2 x 26 in) cyf
40467  
Boy with a Club foot, Jusepe de Ribera
  		 Boy with a Club foot   mk156 1642 Oil on canvas 164x94cm
29170  
Christ in the Crown of Thorns, Jusepe de Ribera
  		 Christ in the Crown of Thorns   mk65 Oil on canvas 22 1/2x18"
51129  
clubfooted boy, Jusepe de Ribera
  		 clubfooted boy   1642 Oil on canvas, 164 x 92 cm
32910  
Dream of Facob, Jusepe de Ribera
  		 Dream of Facob   mk84 1639 Madrid,Prado,canvas 179x233cm
64718  
hans atelje., Jusepe de Ribera
  		 hans atelje.   sankt bartolomeus. 1644. olja pa duk se
88675  
Hieronymus, Jusepe de Ribera
  		 Hieronymus   1629(1629) Medium Oil on canvas Dimensions 125 x 100 cm cyf
51131  
Jacob Receives Isaac-s Blessing, Jusepe de Ribera
  		 Jacob Receives Isaac-s Blessing   1637 Oil on canvas, 129 x 289 cm
43102  
Jacob with the Flock of Laban, Jusepe de Ribera
  		 Jacob with the Flock of Laban   mk170 circa 1638 Oil on canvas 132x118cm
77442  
Jakobs Traum, Jusepe de Ribera
  		 Jakobs Traum   Date 1639 Medium Oil on canvas Dimensions ?? cyf
32909  
Ladnscape with Shepherds, Jusepe de Ribera
  		 Ladnscape with Shepherds   mk84 1639 Salamanca,Dukes of Alba canvas 128x269cm
67385  
magdalena ventura, Jusepe de Ribera
  		 magdalena ventura   se
52603  
Magdalena Ventura with Her Husband and Son, Jusepe de Ribera
  		 Magdalena Ventura with Her Husband and Son   1631 Oil on canvas, 196 x 127 cm
33628  
Marryrdom of St Bartholomew, Jusepe de Ribera
  		 Marryrdom of St Bartholomew   mk86 1630 Oil on canvas 234x234cm Madrid,Museo del Prado
53801  
Marsyas flas, Jusepe de Ribera
  		 Marsyas flas   mk234 183x234cm
21618  
Martyrdom of St Bartholomew (mk08), Jusepe de Ribera
  		 Martyrdom of St Bartholomew (mk08)   1630 Oil on canvas 234x234cm Madrid,Museo del Prado
51136  
Mary Magdalene in the Desert, Jusepe de Ribera
  		 Mary Magdalene in the Desert   1640-41 Oil on canvas, 226 x 181 cm
32535  
Recreation by our Gallery, Jusepe de Ribera
  		 Recreation by our Gallery   mk79 1640-1647
32539  
Recreation by our Gallery, Jusepe de Ribera
  		 Recreation by our Gallery   mk79 1636
69455  
Saint Matthew, Jusepe de Ribera
  		 Saint Matthew   oil on canvas painting by Jusepe de Ribera
29223  
Saint Onuphrius, Jusepe de Ribera
  		 Saint Onuphrius   mk65 Oil on canvas 1637 51x41"
3560  
Saint Paul the Hermit, Jusepe de Ribera
  		 Saint Paul the Hermit   1640 Museo del Prado, Madrid
87967  
San Jeronimo, Jusepe de Ribera
  		 San Jeronimo   1644(1644) Medium Oil on canvas Dimensions Deutsch: 109 x 90 cm cyf
32906  
Sense of Taste, Jusepe de Ribera
  		 Sense of Taste   mk84 ca.1613-16 Hartford,Wadsworth Atheneum. canvas 117x88cm
62305  
St Albert, Jusepe de Ribera
  		 St Albert   230 x 170 mm British Museum, London Throughout his career, Ribera was an avid draftsman in pen and ink and in red chalk, and the chalk drawings in particular evince the approach of an artist trained in an Italian workshop. In this study of St Albert Ribera solves a problem of figure drawing with an ease that is rarely matched by Spanish painters of the period. The technique is Italianate as well: thin, closely spaced lines and soft shadows are used to delineate the body and musculature
33629  
St Christopher, Jusepe de Ribera
  		 St Christopher   mk86 1637 Oil on canvas 127x100cm Madrid,Museo del Prado
21620  
St Christopher (mk08), Jusepe de Ribera
  		 St Christopher (mk08)   1637 Oil on canvas, 127x100cm Madrid,Museo del Prado
20572  
St Paul the Hermit (mk05), Jusepe de Ribera
  		 St Paul the Hermit (mk05)   Canvas 77 1/2 x 60 1/4''(197 x 153 cm)Acquired in 1875
41008  
St Sebastian and St Irene, Jusepe de Ribera
  		 St Sebastian and St Irene   mk159 1628 Oil on canvas 156x188cm
52678  
St Sebastian Tended by the Holy Women, Jusepe de Ribera
  		 St Sebastian Tended by the Holy Women   1621 Oil on canvas, 180,3 x 231,6 cm
32907  
St.Ferome and the Angel, Jusepe de Ribera
  		 St.Ferome and the Angel   mk84 1626 Naples canvas262x164cm
30035  
St.Francis, Jusepe de Ribera
  		 St.Francis   mk67 Oil n canvas 40 9/16x30 5/16in Pitti.
29215  
St.Jerome Hears the Trumpet, Jusepe de Ribera
  		 St.Jerome Hears the Trumpet   mk65 Oil on canvas 73x52"
3559  
St.Onufri, Jusepe de Ribera
  		 St.Onufri   1637 The Hermitage, St.Petersburg
29232  
St.Sebastian.St.Irene,and St.Lucila, Jusepe de Ribera
  		 St.Sebastian.St.Irene,and St.Lucila   mk65 Oil on canvas 61 1/2x74"
20576  
The Adoration of the Shepherds (mk05), Jusepe de Ribera
  		 The Adoration of the Shepherds (mk05)   1650 Canvas,94 x 71 1/4''(239 x 181 cm)Given by the king of Naples,Ferdinand IV,to the French government in compensation for the Pictures removed from the Church of San Luigi in Rome by the Neapolitan troops,1802.Musee Napoleon INV
20578  
The Beggar Known as the Club-foot (mk05), Jusepe de Ribera
  		 The Beggar Known as the Club-foot (mk05)   1642 Canvas,64 1/2 x 37''(164 x 94 cm)The Paper that the child holds solicits alms Bequest of Dr Louis La Caze 1869
33626  
The Boy with the Clbfoot, Jusepe de Ribera
  		 The Boy with the Clbfoot   mk86 1642 Oil on canvas 164x92cm Paris,Musee National du Louvre
21615  
The Boy with the Clubfoot (mk08), Jusepe de Ribera
  		 The Boy with the Clubfoot (mk08)   1642 Oil on canvas 164x92cm Paris,Musee National du Louvre
20573  
The Deposition (mk05), Jusepe de Ribera
  		 The Deposition (mk05)   Canvas,50 x 71 1/2''(127 x 182 cm)Given to the Louvre by Napoleon II in 1868
51132  
The Duel of Isabella de Carazzi and Diambra de Pottinella, Jusepe de Ribera
  		 The Duel of Isabella de Carazzi and Diambra de Pottinella   1636 Oil on canvas, 235 x 212 cm
3561  
The Flaying of Marsyas, Jusepe de Ribera
  		 The Flaying of Marsyas   Musee Royaux des Beaux Arts du Belgique, Brussels
55733  
The Holy family, Jusepe de Ribera
  		 The Holy family   mk244 253x196cm 1639 Oil on canvas
3562  
The Holy Family with Saints Anne Catherine of Alexandria, Jusepe de Ribera
  		 The Holy Family with Saints Anne Catherine of Alexandria   Metropolitan Museum of Art, New York
51135  
The Holy Family with St Catherine, Jusepe de Ribera
  		 The Holy Family with St Catherine   1648 Oil on canvas
30036  
The Martydom of St.Bartholomew, Jusepe de Ribera
  		 The Martydom of St.Bartholomew   mk67 Oil on canvas 57 1/16x85in
51138  
The Martyrdom of St Andrew, Jusepe de Ribera
  		 The Martyrdom of St Andrew   1628 Oil on canvas, 209 x 183 cm
32915  
Vision fo St.Bruno, Jusepe de Ribera
  		 Vision fo St.Bruno   mk84 1643 Naples 38x27cm
43698  
Vision of St Bruno, Jusepe de Ribera
  		 Vision of St Bruno   1643 Oil on copper, 38 x 27 cm
Jusepe de Ribera
1591-1652 Spanish Jusepe de Ribera Galleries Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy. In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces. Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.



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